Thursday, 17 May 2012

Adverts on the tube

Following my crit yesterday, I have decided to start storyboarding a short animation to be displayed on the small digital adverts on the London underground. Before I start I need to know the size and dimensions of the ad, I will also need to find out how long a standard ad will last. I need to take into consideration that they are on the escalators, so people only see them for a short time.

Although, another space to consider would be the larger landscape advert projections on the actual platforms.

I have found the best source of information to be from

Variations of screen advertising on the tube.

My original idea of the digital escalator panels would work quite nicely, they are short and require no sound.

The cross track projection could work really well, as it gives the opportunity to plan what time of day the ad is shown. Especially for this project the target audience is key, timing the ad at peak times could target workers that live in London, as opposed to tourists on weekends and during the day.

Although this website was helpful, it didn't offer any information in terms of timing and dimensions of the ad spaces. It also specifically outlines on the website that they do not want to be contacted by students wanting information for research... gutted.

This video gives me an idea of different ways I could use the ad space, like spreading the animation across more than one panel. It also gives me a better idea of how long the animations should last for.

I have found an article, which includes information saying that the time slots sold for the escalator ads are 5 or 10 seconds.

London Underground to host digital advertising for the first time

LONDON - The London Underground is to allow digital advertising on its escalators for the first time, as part of a trial being handled by Viacom Outdoor.
Viacom, the current holder of London Underground's outdoor advertising contract, is trialling the display screens, called Digital Escalator Panels (D-EPs), on the side of the most-used escalators on the network at Tottenham Court Road station.
While including moving images and text, the 66 panels involved in the trial will not involve TV or film advertising on safety grounds for fear of distracting travellers.
The screens also have the ability to link up, making the transfer of images from screen to screen possible. It also gives clients the option of time-specific advertising, such as theatres using evening slots.
Viacom is selling five- and 10-second slots and has seven clients, including London Underground, already lined up.
The trial is due to start within months, according to a spokeswoman, and if successful will be rolled out at other locations across the network.
Jon Lewen, Viacom Outdoor's digital account director, said: "We are committed to exploring new and innovative ways to capture and captivate London Underground users. DE-Ps will both enhance the consumer's experience of advertising on the Tube and offer revolutionary new creative opportunities for our clients to connect with this audience in a more creative and tactical fashion."
Meanwhile, London Underground is this year conducting a regular review of its outdoor advertising account, with a new list of bidders for the £75m a year contract set to be released within days.
Last month, Viacom won the rights to sell space across Tyne and Wear Metro's 57 stations. The firm beat Maiden, JCDecaux and Primesight to win the contract, worth £10m over five years.

Some statistics concerning tube advertising. 
Advertising in this unique environment not only allows advertisers to broadcast their message to everyone, it also offers a unique level of consumer engagement. With an average of 3 minutes waiting time on platforms, commuters have plenty of time to read, consider and take in your message. Moreover, 87% of consumers welcome Tube advertising as it provides a welcome distraction during their journey.
All in all, the positive relationship consumers have with Tube advertising leads them to act on it. Our research shows that 79% of commuters have been somewhere, bought something or looked something up as a direct result of tube advertising.
Finally found the dimensions!

So, the animation needs to be 419mm by 572 mm (portrait) and either five or ten seconds long. Taking into consideration that it can be spread across more than one panel.

Tuesday, 15 May 2012


Transport for London.
Visit London.
London Town.
London 2012 (olympics)
City of London

Tube map

Wednesday, 9 May 2012

London Underground

Different colour codes for the lines on the London underground to use with my logo designs.

Tuesday, 8 May 2012

London tube map

Looking at different images of the London tube map to influence my logo design.

Different variations of the existing map and it being applied to different concepts.

Each colour representing a different music genre.
Visualisation of personality relation.

 Kabbalah tree of life.
 The milky way- displaying the complex interconnections of our galaxy in a digestible way.


I have looked at a range of different logos that I think will be relevant to designing one for Secret London.  My initial instincts are to keep it simple with no type, to keep the exclusive and secretive feel of the brand.

I like the idea of using the London tube map to influence my logo and produce something similar to the red logo below.


I have been looking at the Geocaching website to influence my Secret London brief. It is a treasure hunting game that uses GPS. I think that I can take influence from how Geocaching is promoted, yet keeps its exclusivity and a secret element.

The Game

Geocaching is a real-world, outdoor treasure hunting game using GPS-enabled devices. Participants navigate to a specific set of GPS coordinates and then attempt to find the geocache (container) hidden at that location.

Geocaching logo and label.

Geocaching iphine app.